Details

Autor(en) / Beteiligte

• Edwards, Sam[Herausgeber]
• Dolski, Michael[Herausgeber]
• Sayer, Faye[Herausgeber]

Titel

Histories on Screen : the past and present in Anglo-American cinema and television

Ist Teil von

• Bloomsbury research skills for history

Ort / Verlag

London : Bloomsbury Academic

Erscheinungsjahr

2018

Link zu anderen Inhalten

• Inhaltsverzeichnis

Beschreibungen/Notizen

• List of Illustrations; List of Contributors; Acknowledgements; Introduction; Part I: Thinking about Film and Television ; 1. The Moving Image as Primary Source: Author, Text and Context, Michael Dolski (Defense POW/MIA Accounting Command, USA); 2. The Moving Image as a Secondary Source: Truth, Authenticity and Narrative, Faye Sayer (Manchester Metropolitan University, UK); 3. The Moving Image as Memory: Past and Present on Screen, Sam Edwards (Manchester Metropolitan University, UK); Part II: Using Film and Television: Case Studies; The Lens of History: Race, Class and Gender on Screen; 4. CASE STUDY: `The Way We Are': Class and Britishness on Film, Marcus Morris (Manchester Metropolitan University, UK); 5. CASE STUDY: Were Fires Started? Exploring Gender in British Cinema of the Second World War, Corinna Penniston-Bird (Lancaster University, UK); 6. CASE STUDY: Screening Multicultural Britain: Blair, Britishness and Bend it Like Beckham, Sarah Ilot (Teeside University, UK); 7.-
• CASE STUDY: Mammy, Mandingo, Django and Solomon: A Century of American Slavery in Cinema from Uncle Tom's Cabin to Twelve Years a Slave, Lydia Plath (Canterbury Christ Church University, UK); Reel Life and Real Life: Documenting and Narrating the Past; 8. CASE STUDY: The Empire at the Movies: India in Newsreels, c. 1911 to 1947, Tilman Frasch (Manchester Metropolitan University, UK); 9. CASE STUDY: `Truth' and `Interiority': Screening and Interpreting the Early Modern Era, Jonathan Spangler (Manchester Metropolitan University, UK); 10. CASE STUDY: Hollywood Musicals Make History, Nicholas Gebhardt (Birmingham City University, UK); 11. CASE STUDY: `Moving' Images: Educational Uses of D-Day Imagery, Michael Dolski (Defense POW/MIA Accounting Command, USA); Part III: Making Memory and Identity: The Politics and Purpose of Film and TV; 12. CASE STUDY: Superhero Films and American National Identity, Michael Goodrum (University of Essex, UK); 13.-
• CASE STUDY: `We Will Remember Them?': Film, Television and the First World War in British Memor, Sam Edwards (Manchester Metropolitan University, UK); 14. CASE STUDY: Presenting the Past: New Directions in Television History, Nicola Bishop (Manchester Metropolitan University, UK); Filmography; Bibliography; Index